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Myths of the Cherokee

The Sun was a young woman and lived in the East, while her brother, the Moon. lived in the West. The girl had a lover who used to come every month in the dark of the moon to court her. He would come at night, and leave before daylight, and although she talked with him she could not see his face in the dark, and he would not tell her his name, until she was wondering all the time who it could be.

At last she hit upon a plan to find out, so the next time he came, as they were sitting together in the dark of the âsi, she slyly dipped her hand into the cinders and ashes of the fireplace and rubbed it over his face, saying, "Your face is cold; you must have suffered from the wind," and pretending to be very sorry for him, but he did not know that she had ashes on her hand. After a while he left her and went away again.

The next night when the Moon came up in the sky his face was covered with spots, and then his sister knew he was the one who had been coming to see her. He was so much ashamed to have her know it that he kept as far away as he could at the other end of the sky all the night. Ever since he tries to keep a long way behind the Sun, and when he does sometimes have to come near her in the west he makes himself as thin as a ribbon so that he can hardly be seen.

Some old people say that the moon is a ball which was thrown up against the sky in a game a long time ago. They say that two towns were playing against each other, but one of them had the best runners and had almost won the game, when the leader of the other side picked up the ball with his hand – a thing that is not allowed in the game – and tried to throw it to the goal, but it struck against the solid sky vault and was fastened there, to remind players never to cheat. When the moon looks small and pale it is because some one has handled the ball unfairly, and for this reason they formerly played only at the time of a full moon.

When the sun or moon is eclipsed it is because a great frog up in the sky is trying to swallow it. Everybody knows this, even the Creeks and the other tribes, and in the olden times, eighty or a hundred years ago, before the great medicine men were all dead, whenever they saw the sun grow dark the people would come together and fire guns and beat the drum, and in a little while this would frighten off the great frog and the sun would be all right again.

The common people call both Sun and Moon Nûñdä, one being "Nûñdä that dwells in the day" and the other "Nûñdä that dwells in the night," but the priests call the Sun Su'tälidihï', "Six-killer," and the Moon Ge'`yägu'ga, though nobody knows now what this word means, or why they use these names. Sometimes people ask the Moon not to let it rain or snow.

The great Thunder and his sons, the two Thunder boys, live far in the west above the sky vault. The lightning and the rainbow are their beautiful dress. The priests pray to the Thunder and call him the Red Man, because that is the brightest color of his dress. There are other Thunders that live lower down, in the cliffs and mountains, and under waterfalls, and travel on invisible bridges from one high peak to another where they have their town houses. The great Thunders above the sky are kind and helpful when we pray to them, but these others are always plotting mischief. One must not point at the rainbow, or one's finger will swell at the lower joint.

Comments:

The story of the sun and the moon, as here given, was obtained first from Swimmer and afterward from other informants. It is noted by Hagar, in his manuscript Stellar Legends of the Cherokee, one narrator making the girl blacken her brother’s face with seven (charred?) corn cobs (cf. John Ax’s version of number 5 in notes). Exactly the same myth is found with the native tribes of Greenland, Panama, Brazil, and Northern India. Among the Khasias of the Himalaya mountains “the changes of the moon are accounted for by the theory that this orb, who is a man, monthly falls in love with his wife’s mother, who throws ashes in his face. The sun is female.” On some northern branches of the Amazon “the moon is represented as a maiden who fell in love with her brother and visited him at night, but who was finally betrayed by his passing his blackened hand over her face.” With the Greenland Eskimo the Sun and Moon are sister and brother, and were playing in the dark, “when Malina, being teased in a shameful manner by her brother Anninga, smeared her hands with the soot of the lamp and rubbed them over the face and hands of her persecutor, that she might recognize him by daylight. Hence arise the spots in the moon (see Timothy Harley, Moon Lore, London, 1885, and the story “The Sun and the Moon,” in Henry Rink’s Tales and Traditions of the Eskimo, London, 1875). In British Columbia the same incident occurs in the story of a girl and her lover, who was a dog transformed to the likeness of a man (Teit, Thompson River Traditions, p. 62). A very similar myth occurs among the Cheyenne, in which the chief personages are human, but the offspring of the connection become the Pleiades (A. L. Kroeber, Cheyenne Tales, in Journal of American Folk-Lore, July, 1900). In nearly all mythologies the Sun and Moon are sister and brother, the Moon being generally masculine, while the Sun is feminine (cf. German, Der Mond, Die Sonne).

The myth connecting the moon with the ballplay is from Haywood (Natural and Aboriginal History of Tennessee, p. 285), apparently on the authority of Charles Hicks, a mixed-blood chief.

Eclipse – Of the myth of the eclipse monster, which may be frightened away by all sorts of horrible noises, it is enough to say that it is universal (see Harley, Moon Lore). The Cherokee name for the phenomenon is nûñdă′ walâ′sĭ u′giskă′, “the frog is swallowing the sun or moon.” Says Adair (History of the American Indians p. 65): “The first lunar eclipse I saw after I lived with the Indians was among the Cherokee, An. 1736, and during the continuance of it their conduct appeared very surprizing to one who had not seen the like before. They all ran wild, this way and that way, like lunatics, firing their guns, whooping and hallooing, beating of kettles, ringing horse bells, and making the most horrid noises that human beings possibly could. This was the effect of their natural philosophy and done to assist the suffering moon.”

Sun and moon names – In probably every tribe both sun and moon are called by the same name, accompanied by a distinguishing adjective.

The Thunders – The Cherokee name for Thunder, Ani′-Hyûñ′tĭkwălâ′skĭ, is an animate plural form and signifies literally, “The Thunderers” or “They who make the Thunder.” The great Thunderers are Kana′tĭ and his sons (see the story), but inferior thunder spirits people all the cliffs and mountains, and more particularly the great waterfalls, such as Tallulah, whose never-ceasing roar is believed to be the voice of the Thunderers speaking to such as can understand. A similar conception prevailed among the Iroquois and the eastern tribes generally. Adair says (History of the American Indians, p. 65), speaking of the southern tribes: “I have heard them say, when it rained, thundered, and blew sharp for a considerable time, that the beloved or holy people were at war above the clouds, and they believe that the war at such times is moderate or hot in proportion to the noise and violence of the storm.” In Portuguese West Africa also the Thunderers are twin brothers who quarreled and went, one to the east, the other to the west, whence each answers the other whenever a great storm arises. [1] Among the plains tribes both thunder and lightning are caused by a great bird.

Rainbow – The conception of the rainbow as the beautiful dress of the Thunder god occurs also among the South Sea islanders. In Mangaia it is the girdle of the god Tangaroa, which he loosens and allows to hang down until the end reaches to the earth whenever he wishes to descend (Gill, Myths and Songs of the South Pacific, p. 44). For some unexplained reason the dread of pointing at the rainbow, on penalty of having the finger wither or become misshapen, is found among most of the tribes even to the Pacific coast. The author first heard of it from a Puyallup boy of Puget sound, Washington.

[1] Heli Chatelain, Folktales of Angola: Fifty Tales, with Ki-mbundu text, literal English translation, introduction, and notes (Memoirs of the American Folk-Lore Society, I); Boston and New York. 1894.

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